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Commento: Edizione vendita Lucky Red

Velvet goldmine

Ewan McGregor (Attore), Jonathan Rhys-Meyers (Attore) Età consigliata: Vietato ai minori di 14 anni Formato: DVD
4,5 4,5 su 5 stelle 515 voti
16,99 €
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DVD —
1
12,97 €
12,97 € 8,39 €
DVD
19 luglio 2019 		—
2
9,99 €
9,99 € 43,92 €
DVD
24 settembre 2007 		—
1
8,36 €
18,56 € 8,36 €
DVD
8 settembre 2005 		—
1
16,99 €
— 16,99 €
Formato PAL, DVD, Schermo panoramico
Collaboratore Guy Leverton, Christian Bale, Jim Whelan, Zoe Boyce, Xavior, Ganiat Kasumu, James Francis, Matthew Glamour, Jonathan Rhys-Meyers, Tim Hans, David Hoyle, Wash Westmoreland, Stuart Callaghan, Justin Salinger, Roger Alborough, Callum Hamilton, Carlos Miranda, William Key, Keith-Lee Castle, Peter Bradley Jr., Joseph Beattie, Todd Haynes, Nadia Williams, Danny Nutt, Emma Handy, Ewan McGregor, Daniel Adams, Vincent Marzello, Stefan Olsdal, Nathan Osgood, Toni Collette, Mairead McKinley, Ryan Pope, Ray Shell, Jonathan Cullen, Lindsay Kemp, Vinney Reck, Alastair Cumming, Bryan Torfeh, Donna Matthews, Osheen Jones, Janet McTeer, Perry Clayton, Trevor Sharpe, Steve Hewitt, Michael Feast, Winston Austin, Eden Ford, Damian Suchet, Luke Morgan Oliver, Sarah Cawood, Micko Westmoreland, Jono McGrath, Sylvia Grant, Ivan Cartwright, Moritz Bleibtreu, Emily Woof, Eddie Izzard, Brian Molko, Peter King, Corey Skaggs, Antony Langdon, Don Fellows Mostra altro
Lingua Italiano, Inglese
Tempo di esecuzione 2 ore e 4 minuti
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Dettagli prodotto

  • Aspect Ratio ‏ : ‎ 16:9, 1.85:1
  • Età consigliata ‏ : ‎ Vietato ai minori di 14 anni
  • Lingua ‏ : ‎ Italiano, Inglese
  • Dimensioni del collo ‏ : ‎ 18,03 x 13,76 x 1,48 cm; 83,16 grammi
  • Regista ‏ : ‎ Todd Haynes
  • Formato supporto ‏ : ‎ PAL, DVD, Schermo panoramico
  • Tempo di esecuzione ‏ : ‎ 2 ore e 4 minuti
  • Data d'uscita ‏ : ‎ 8 settembre 2005
  • Attori ‏ : ‎ Ewan McGregor, Jonathan Rhys-Meyers, Toni Collette, Christian Bale, Eddie Izzard
  • Sottotitoli: ‏ : ‎ Italiano
  • Lingua ‏ : ‎ Non disponibile (Dolby Digital 2.0 Stereo), Italiano (Dolby Digital 2.0), Inglese (Dolby Digital 2.0)
  • Studio ‏ : ‎ MEDUSA FILM SPA
  • Garanzia e recesso: Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul Diritto di Recesso. Se hai ricevuto un prodotto difettoso o danneggiato consulta la nostra pagina d'aiuto sulla Garanzia Legale. Per informazioni specifiche sugli acquisti effettuati su Marketplace consulta la nostra pagina d'aiuto su Resi e rimborsi per articoli Marketplace.
  • ASIN ‏ : ‎ B0041KWRTW
  • Numero di dischi ‏ : ‎ 1
  • Recensioni dei clienti:
    4,5 4,5 su 5 stelle 515 voti

Recensioni clienti

4,5 su 5 stelle
4,5 su 5
515 valutazioni globali

Recensioni migliori da Italia

Reila S.
5,0 su 5 stelle DVD apprezzatissimo
Recensito in Italia il 20 gennaio 2023
Acquisto verificato
Essendo una fan del film, ma non essendo riuscita a trovare la versione italiana, ho ripiegato sull’edizione inglese.
Bellissimo!
Utile
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annalisa
5,0 su 5 stelle Bellooo!
Recensito in Italia il 28 luglio 2016
Acquisto verificato
Impossibile da trovare, una volta acquistato il dvd l'ho gustato sia nella trama che nella meravigliosa colonna sonora. Se dovesse mai uscire in edizione blu-ray, lo ricomprerò perchè è veramente un bel film, imperdibile per gli estimatori di David Bowie e soprattutto per gli amanti del periodo glam. Venditore affidabile e perfetto nonostante si trattasse di un dvd "usato": è una chicca questa pellicola, la consiglio vivamente!
3 persone l'hanno trovato utile
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Marta P.
5,0 su 5 stelle Da non perdere
Recensito in Italia il 7 dicembre 2018
Acquisto verificato
Un capolavoro di estetica. Un film che racchiude in sé tutta la cultura del movimento glam rock Anni ‘70, con una colonna sonora mozzafiato e immagini a dir poco spettacolari. Consigliato anche a chi non è familiare col genere.
Utile
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Beatrice Segato
5,0 su 5 stelle Perfetto!
Recensito in Italia il 30 gennaio 2017
Acquisto verificato
Era un regalo di Natale, arrivato in pochi giorni e in perfetto stato.
Bellissimo film, soprattutto per chi ama David Bowie e il periodo glam rock.
Amica super soddisfatta
Una persona l'ha trovato utile
Utile
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Mary
5,0 su 5 stelle Dvd
Recensito in Italia il 13 febbraio 2019
Acquisto verificato
Semplicemente perfetto.
Utile
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Irene Sarra
5,0 su 5 stelle AMO QUESTO FILM
Recensito in Italia il 6 settembre 2015
Acquisto verificato
Sul film ovviamente niente da dire, è uno dei miei preferiti, stupendo. Il dvd mi ha soddisfatta e anche i contenuti speciali sono molto interessanti.
Una persona l'ha trovato utile
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Le recensioni migliori da altri paesi

Traduci tutte le recensioni in Italiano
Carl Thomson
5,0 su 5 stelle Glamour than Glam
Recensito in Australia il 4 agosto 2019
Acquisto verificato
A fantastic movie about the Glam Rock era. It is about David Bowie, Iggy Pop and Lou Reed but it is not autobiographic. This makes the film all the more better. Great performances from Johnathon Rhys Meyers, Ewen McGregor, Toni Collette, Christian Bale and Eddie Izzard. The music is full throttle. The set design is spectacular and the frocks are to die for darling. The story could have been tighter and better structured but a number of scenes you do see are phenomenal. A lost classic. Check it out.
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Carl Thomson
5,0 su 5 stelle Glamour than Glam
Recensito in Australia il 4 agosto 2019
A fantastic movie about the Glam Rock era. It is about David Bowie, Iggy Pop and Lou Reed but it is not autobiographic. This makes the film all the more better. Great performances from Johnathon Rhys Meyers, Ewen McGregor, Toni Collette, Christian Bale and Eddie Izzard. The music is full throttle. The set design is spectacular and the frocks are to die for darling. The story could have been tighter and better structured but a number of scenes you do see are phenomenal. A lost classic. Check it out.
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Kyleigh
5,0 su 5 stelle One of my All-Time Favorite Films!
Recensito negli Stati Uniti il 31 agosto 2014
Acquisto verificato
This is not the best film ever made, it's probably not even the best film ever made about rock and roll, nor is it the best film I've ever seen, - however, it is quite possibly my favorite film of all time. I've seen it well over 100 times and while it's not without it's flaws it has a certain personality, a certain energy that is virtually unmatched in cinema.

So much has been made of this film, so much has been speculated on and criticized but I honestly think that most people - especially the harsher critics - are missing the point. Very often the film is chastised for not being `historically accurate' and I have two opinions on this. 1) the film's primary goal is not to be historically accurate and 2) I'm not sure how it isn't at least in part historically accurate. As a lover of glam rock, as a massively huge fan of David Bowie - not to mention Lou Reed, The Velvet Underground, Iggy Pop and all the others referenced in this film - I've read literally every biography on Bowie ever written, and If I haven't read every interview he's ever given, I've at least read most of them - going as far back as 1970. What I can tell you based on that knowledge is that this film is based on the lore, and the lore whether accurate or not, whether truthful or not is what was projected by all the players involved at the time. Ziggy Stardust, Glam Rock it's all a mirage, it's a dream, it isn't real, it doesn't exist in the reality that we know. It's a show. This film is based loosely on those people who were involved, it rely's heavily on the interviews that those people gave, it rely's heavily on what was reported in the media at that time, and it rely's - however appropriate or inappropriately - heavily on first hand accounts and books written by people who where there - namely Angela Bowie's book "Backstage Passes" At least half the dialogue in the film is taken directly from interviews Bowie gave himself, not to mention interviews given by Lou Reed and Iggy Pop. Though Bowie had nothing to do with this film - he shunned it in a massive way and refused to let any of his music or his name be connected with it - Pop and Reed were not so harsh. They indeed allowed their music to be used, and they at least offered some information. I fail to see how in this respect the film isn't historically accurate, considering so much of it comes directly from the `horses mouth' so to speak. Of course, the film takes creative license, and it expertly blends fact and fiction, and it combines facts and mixes and matches various pieces of lore - no doubt in an attempt to veil the story enough so as not to be sued for slander.

For me, the `truth' of this film is completely irrelevant. It is based on the lore presented at the time, and who are any of us to say which parts of the lore are fact or fiction? Any fan who claims to know the `real' Bowie is mistaken or delusional, Bowie is lore himself, and only he can tell you what is fact and what is fiction but he chooses not to comment on the film at all.

Moving away from the accuracy aspect of the film what it really has going for it is the performances. Jonathan Rhys-Meyers plays the lead role of Brian Slade/Maxwell Demon - obviously based on David Bowie/Ziggy Stardust - and he handles the material with a beautiful precision and intensity. You believe every word he speaks, you believe his every move. He completely embodies his character, he becomes Maxwell Demon before your very eyes, and you believe every minute of it. His acting is mesmerizing, he's a total rock-star in this film and while I think his acting is always rather spot on this performance in particular is really standout. I'm not sure I've seen him match the level of depth and intensity that he infuses into this role.

Ewan McGregor who is billed as a lead takes a much smaller role as Curt Wild - loosely based on an amalgamation of Iggy Pop, and Lou Reed with a bit of Kurt Cobain thrown in for good measure. Though his screen time is limited in this film, every scene he's in is brilliant. He makes this movie work. His on stage performances are brilliant reproductions of the kinds of thing Iggy was so famous for doing. He embodies his character, he makes you believe it, he makes you feel it. He imbues his performance with so much emotion that it's almost heart-breaking to watch. His final stage scene, in which he preforms "Gimmie Danger" is painfully sad. He is everything you can ask for in this film, and you have to give him props for doing all of his own singing. As mesmerizing as Myers is McGregor is more so, and the film doesn't work without him. Neither does Myer's performance work without him. The two have such brilliant chemistry together that you believe in the strength of their love affair - and you feel Curt's loss as deeply as he does.

By contrast Collette plays the perfect transformation of supportive, loving wife, to crazy outrageous rock `n' roll wife, to embittered cast-aside. If she is not everything Angela Bowie is portrayed to be then I don't know what she is. She handles the material perfectly, and you feel her sadness, you feel her loss, you feel her joy, her longing, and her regret. I can not think of a more perfect actor to take on the role.

Christian Bale is perhaps the most surprising entity in the film. He plays a former fan, now journalist tasked with writing up a story about Brian Slade on the 10th anniversary of his `death stunt' The film is told through a serise of flashbacks that include how Bale's character Arthur became involved in the glam scene in the first place, and how it effected his life. To look at Bale's work now, and then to go back to 98 when this film was made and see the quality of performance he gave is absolutely incredible. I simply can not imagine the Bale of today ever agreeing to take on this role, and yet, back then he took it and he played it perfectly. From an awkward gawky insecure teenager to a somewhat morose adult he basically plays two roles here and they are so different from one another. You can feel his longing, you can feel his nostalgia, you can feel his regret, his anger, his shock, his surprise, his bitterness - and it's perfect. Some people have claimed that he was miscast in the role, but I can hardly think of anyone better. It's the very fact that he's not perfect, which makes him perfect because glam rock was not about perfection, it was about misfits uniting under a common thread and for a common cause.

Performances aside the film is also beautiful. It's lush, it's colorful, it's dramatic in color in scope in scale, in costume in everything. You are bombarded in all sensory areas, the film is a visual feast, an auditory pleasure. The music is fantastic. Several of the songs are from the actual era - Iggy and the Stooges, Lou Reed, Roxy Music, Gary Glitter and T-Rex for example. Other songs were written specifically for the film and preformed by artists such as Thom York. They may not be songs of the era but they have that feeling, they have that energy they fit with the magic of the film. All that sound combines to make what is possibly one of the top ten best film soundtracks.

All these things and more is what makes this film such a marvel. Though as I said it's not without it's flaws - accuracy aside - the film is slow to start, and it combines a lot of layers - so many in fact that the film may seem confusing and convoluted. I admit a linear timberline may have been more beneficial to the average viewer, but I don't think Haynes intention was to appeal to the average viewer. He was writing a love-letter to the era, and to those of us `in the know.' and so I think a more `straight forward' approach may have taken away slightly from the spectacle of it all. This film, if nothing else is spectacle, it's a performance, it's a show, it's myth, it's lore, it's all pretend, and if you go into it expecting some version of the reality that you know, you'll only be disappointed. The film does not take itself particularly seriously, and neither should you. Just enjoy it, and honestly I think this is film that improves greatly upon second and possibly third viewing. All the layers in it, are sometimes missed upon a first watch. The more you watch it, the more you discover in it. For me this is a film that never gets old, it never gets boring, and no matter how many times I watch it I never loose interest. It is one of the very, very few films that I want to re-watch the very minute the last credit rolls - and that's saying something.
33 persone l'hanno trovato utile
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Moreno Macchi
5,0 su 5 stelle Pour tous les nostalgiques des années '70
Recensito in Francia il 14 aprile 2015
Acquisto verificato
Rhys Meyers en Bowie vaut le détour; absolument! Génial. Une reconstitution délirante de l'époque Ziggy Stardust, des amours et des extravagances extrêmes du jeune Bowie, se relation (vraie? fausse?) avec Iggy Pop et celle avec Angie, son épouse, rise and fall d'une star ou plutôt d'un personnage créé de toutes pièces...
Une superbe reconstitution (costumes, décors, scénographies, extérieurs, maquillages, strass et paillettes, délires de couleurs) d'une époque -hélas- révolue où tout (absolument TOUT) était permis.
Fabuleux.
MM
Una persona l'ha trovato utile
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響子
5,0 su 5 stelle オスカー･ワイルドの時代から時空を超えて
Recensito in Giappone il 14 giugno 2012
Acquisto verificato
この映画は、公開時に魅了された作品。
自分自身の感性に合い、強く刺激を受けた映画で、ＤＶＤの再販を待ち望んでいた。
ＤＶＤには、特典映像なし。画質は良好。
言語は英･日選択あり。字幕は日、吹き替え用、なし選択可能。
ユアン・マクレガー（ゴースト・ライター）、クリスチャン・ベール（ダークナイト）、トニ・コレット（イン・ハー・シューズ）達が出演。
時代を彩ったファッションも見所の一つで、Ｓ･パウエルの衣装は、英国アカデミー賞を受賞、米アカデミー賞にもノミネートされた。

70年代を彩ったグラム･ロックのスーパー・スター、Ｂ・スレイドのコンサート会場で起きた衝撃的な事件。事件から10年後、当時スレイドのファンだったライター（Ｃ・ベール）が、事件の真相を取材していく。

映画の冒頭のファンタジックな映像と洒落たシーンが大好き。
オスカー･ワイルドの時代を超えて、美しきものが引き継がれていくシーンの切り替えが鮮やか。
映像がポップで、時代を象徴する数々の衣装、何より劇中の音楽やステージ･パフォーマンスのゴージャスさと楽しさ、シーンの切り替えの巧みさや飽きさせない演出に、引き込まれる。
どんなに私が陳腐な言葉を並べても、この映画の魅力をうまく説明できないのがもどかしい。
ゲ○、ホ○、バイ、フリーセックスetc、退廃的な世界のオンパレードに、魅了されてしまう。美少年系、ＢＬ系が好きな方も楽しめそうな作品。
ユアン･マクレガーは本作では全裸になり、トニ･コレットも艶やかなベッド･シーンを演じていた。
ゴージャスなグラム･ロック全盛時代と終焉が描かれ、その時代を見てきたライター（Ｃ･ベール）の青春回想記でもある。
5 persone l'hanno trovato utile
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Colina
5,0 su 5 stelle Unglaublich - ein verdientes Denkmal für die Zeit
Recensito in Germania il 18 marzo 2007
Acquisto verificato
Man muss sich einfach mittreiben lassen und die Vergangenheit kehrt zurück. Ja - so manches, was damals abging, wird einem durch VW jetzt erst gewahr.
Doch abgesehen von den persönlichen Erinnerungen ist der Film absolut stark: in jeder einzelnen Szene, angefangen von der Musik über die gnadenlos detailgetreue Ausstattung bei Kleidung, Haar, Make Up aber auch der 70er-Realität bis zu den Darstellern.
In Brian Slade ist David Bowie nicht zu übersehen; seine Auftritte sind die des Bowie der 70er. Es bleibe dahingestellt, ob der Inhalt nun eine Bowie-Biografie sein soll.
Und Kurt Wilde - du lieber Himmel. Ewan McGregor zeigt das Leben eines Rockers, als hätte er nie was anderes gemacht. Er ist perfekt in jeder Geste und seine Bühnenshow unwiderstehlich heiß. Wen auch immer er sich als Vorbild nahm (angeblich Iggy Pop) - er hat es verinnerlicht und 100 % umgesetzt. Zudem singt er selbst. Das ist wirklich ganz großes Acting. Die visuelle und musikalische Reainkarnation des Kurt Cobain ist ein emotionaler Schock und zu schön um wahr zu sein. Welch ein Genuss.
Überhaupt hat man den Eindruck, dass jeder an seine Grenzen geht ohne Tabu und Feigenblatt und Vorsicht und Schönrederei.
Dazu die Musik, die allgegenwärtige Mächtige, die heute lapidar als Glamrock klassifiziert und belächelt wird und doch so wahrhaftig und echt ist.
9 persone l'hanno trovato utile
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