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125th Birthday Tribute

Classica, Cofanetto

Compilation (Artista) Formato: Audio CD
5,0 5,0 su 5 stelle 5 voti
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Tracklist

Disco: 1

1 O sei er gut, Quinquin... Die Zeit, die ist ein sonderbar Ding
2 Sie lebt hier ganz allein... Sie atmet leicht... Es gibt ein Reich
3 Die Trommel gerühret!
4 Freudvoll und leidvoll
5 Vierges d'Athène
6 Du Ärmeste kannst wohl nie ermessen
7 The spring
8 Mignons Lied (Kennst du das Land, wo die Zitronen blühn) (Goethe)
9 Frühling übers Jahr (Das Beet, schon lockert sich's) (Goethe)
10 Und willst du deinen Liebsten sterben sehen (Heyse)
11 Wenn du, mein Liebster, steigst zum Himmel auf
12 In der Frühe (Kein Schlaf noch kühlt das Auge mir) (Mörike)
13 Auch kleine Dinge können uns entzücken (Heyse)
14 Der Knabe und das Immlein (Im Weinberg auf der Höhe) (Mörike)
15 Er ists (Frühling läßt sein blaues Band) (Mörike)
16 Storchenbotschaft (Des Schäfers sein Haus und das steht auf zwei Rad) (Mörike)
17 An eine Äolsharfe (Angelehnt an die Efeuwand) (Mörike)
18 In dem Schatten meiner Locken
19 Gebet (Herr, schicke was du willt) (Mörike)
20 Nun laß uns Frieden schließen
21 Der Gärtner (Auf ihrem Leibrößlein) (Mörike)
22 Du denkst mit einem Fädchen mich zu fangen
23 Heimweh (Anders wird die Welt mit jedem Schritt) (Mörike)
24 Schweig einmal still
25 Ich hab in Penna einen Liebsten wohnen
26 Anakreons Grab (Wo die Rose hier blüht) (Goethe)
27 Verborgenheit (Laß, o Welt, o laß mich sein!) (Mörike)

Disco: 2

1 Nr. 2 Ständchen
2 Nr. 1 Therese
3 Nr. 4 Vergebliches Ständchen
4 Heimkehr vom Feste
5 Nr. 1 Zueignung
6 Vissi d'arte
7 Nr. 1 Zueignung
8 Nr. 1 Traum durch die Dämmerung
9 Nr. 2 Ständchen
10 Nr. 1 Das Mädchen spricht
11 Nr. 5 Gretel
12 None but the lonely heart
13 The star
14 Die junge Nonne (Wie braust durch die Wipfel der heulende Sturm) op. 43 Nr. 1 D 828
15 Der Doppelgänger D 957 (Heine)
16 Nr. 1 Liebesbotschaft
17 Nr. 5 Aufträge
18 Nr. 2 Morgengruß
19 Venetianisches Gondollied
20 Nr. 4 Neue Liebe
21 Nr. 3 Der Nußmann
22 Nr. 1 Wonne der Wehmut
23 Andenken (Ich denke dein) WoO 136
24 Nr. 4 Wiegenlied
25 Nr. 1 Ständchen
26 Nr. 2 Auf Flügeln des Gesanges
27 Sehnsucht nach dem Frühlinge (Komm, lieber Mai) KV 596
28 Warnung (Männer suchen stets zu naschen) KV 433 (416c)

Disco: 3

1 Nr. 1 Der Engel
2 Nr. 2 Im Treibhaus
3 Nr. 4 Schmerzen
4 Nr. 5 Träume
5 Nr. 4 Wenn ich deine Augen seh' - Nr. 5 Ich will meine Seele tauchen
6 Nr. 8 Und wüßten's die Blumen, die kleinen
7 Nr. 9 Das ist ein Flöten und Geigen
8 Nr. 16 Die alten bösen Lieder
9 An eine Quelle (Du kleine grünumwachsene Quelle) D 530
10 Der Tod und das Mädchen (Vorüber, ach vorüber) op. 7 Nr. 3 D 531
11 Der Jüngling und der Tod (Die Sonne sinkt, o könnt ich mit ihr scheiden) D 545
12 Auflösung (Verbirg dich, Sonne) D 807
13 Die Forelle (In einem Bächlein helle) D 550
14 Daß sie hier gewesen (Daß der Ostwind Düfte hauchet in die Lüfte) op. 59 Nr. 2 D 775
15 Der Wanderer (Ich komme vom Gebirge her) D 489
16 Im Frühling (Still sitz ich an des Hügels Hang) D 882
17 Schwanengesang D 957
18 Die Kränze
19 Es träumte mir
20 Nr. 5 Frühlingslied
21 Willst du, dass ich geh'?
22 Ave Maria
23 Nr. 2 Neue Liebe, neues Leben
24 Nr. 4 Schilflied
25 Nr. 1 Frage
26 Nr. 5 Der Mond
27 Nr. 3 Lieblingsplätzchen
28 Nr. 5 Gruß
29 Pagenlied o. op. (Wenn die Sonne lieblich schiene)
30 Nr. 3 Die Liebende schreibt

Disco: 4

1 An die ferne Geliebte op. 98 Nr. 1-6 (Liederzyklus)
2 Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte KV 520 (Erzeugt von heißer Phantasie)
3 Abendempfindung KV 523
4 Dans un bois solitaire KV 308 (295b) (Einsam ging ich jüngst)
5 Die Verschweigung KV 518 (Sobald Damötas Chloen sieht)
6 Nr. 8 Dein blaues Auge
7 Nr. 5 Komm' bald
8 Bitteres zu sagen denkst du
9 Nr. 7 Schön war, dass ich dir weihte
10 Nr. 1 Sonntag
11 Der Gang zum Liebchen
12 Nr. 1 Der Tod, das ist die kühle Nacht
13 Nr. 1 Liebestreu
14 Frühlingstrost
15 Nr. 1 Der Kuss
16 Nr. 8 O wüsst' ich doch den Weg zurück
17 Wie froh und frisch
18 Bruno Walter speaks about Lotte Lehmann
19 Freudvoll und leidvoll
20 Das Veilchen KV 476 (Ein Veilchen auf der Wiese stand)
21 An die Musik (Du holde Kunst) op. 88 Nr. 4 D 547
22 Anakreons Grab (Wo die Rose hier blüht) (Goethe)
23 Nr. 1 Botschaft
24 Freiheit die ich meine
25 Lehmann reads her poem: "In alten Partituren"
26 Lehmann speaks about her singing
27 Gesang Weylas (Du bist Orplid, mein Land) (Mörike)

Dettagli prodotto

  • Dimensioni prodotto ‏ : ‎ 14,2 x 1 x 12,5 cm; 100 grammi
  • Produttore ‏ : ‎ Music And Arts
  • Numero modello articolo ‏ : ‎ WA-25867190
  • Etichetta ‏ : ‎ Music And Arts
  • Garanzia e recesso: Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul Diritto di Recesso. Se hai ricevuto un prodotto difettoso o danneggiato consulta la nostra pagina d'aiuto sulla Garanzia Legale. Per informazioni specifiche sugli acquisti effettuati su Marketplace consulta la nostra pagina d'aiuto su Resi e rimborsi per articoli Marketplace.
  • ASIN ‏ : ‎ B00I0VTO5I
  • Numero di dischi ‏ : ‎ 4
  • Recensioni dei clienti:
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Michael Kelleher
5,0 su 5 stelle Wunderbar.
Recensito negli Stati Uniti il 13 giugno 2019
Acquisto verificato
Lovely discs of one of my favourite singers. And a great musical lady.
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Ultrarunner
5,0 su 5 stelle Toscanini sent Lehmann orchids for each song recital, year after year, since she was " the greatest artist in the World".
Recensito nel Regno Unito il 28 giugno 2014
Acquisto verificato
According to Christiansen in Prima Donna, a history, Lotte Lehmann's recordings are still extraordinarily vivid documents which communicate radiant exultant intensity. In her autobiography, My many lives (1948) , she spoke " of an actor's faculty of forgetting himself entirely, of utterly losing himself in the part he has to play" She then states the best teacher of all is life. The Met opera Encyclopedia, describes her voice as a creamy, vibrant voice. Her phrasing, musicianship, and verbal colouring, perserved on recordings continue to inspire the admiration of instrumentalists as well as singers. She made more than 500 recordings. Her performances in the World of Lieder are considered the best ever recorded. (reviews further down)

Charlotte" Lotte" Lehmann 1988-1976, was a German singer, who was taught by Mathilde Mallinger, Eva in the premiere of Wagner's Meistersinger's. She created roles in the world premieres of Richard Strauss's operas. She was the composer in the revised Ariadne auf Naxos in 1916. The Dyer's wife in the Woman without a Shadow in 1919 and Christine in Intermezzo. Her most well known recordings are EMI R. Strauss's Der Rosenkavalier-Lehmann-Marschallin, Olszewska, Mayr and Elisabeth Schumann. Vienna Phil cond Heger.1933.Wagner Die Walkure Act 1. Lehmann-Sieglinde-Melchior- Siegmund-List Hunding. Cond Vienna Phil cond Bruno Walter 1935.

Before Germany annexed Austria in 1938, Lehmann emigrated to the USA because her step children had a Jewish mother. She continued to sing at the San Francisco Opera and at the Met opera until 1945. Then she continued leider singing and retired from the recital stage in 1951. She died in 1976 at the age of 88 at Santa Barbara and is buried in Vienna. Lehmann was one of the first to have a balanced programme of Schumann, R. Strauss and Schubert. With her regular accompanist Bruno Walter she made recordings of which one can only say that so close is their intimacy that they seem to reach out and take the listener by the hand. She got on well with men, but her female colleagues she could have problems, and feelings of inadquacy, because she was plain. However, you can understand why Toscanini had an affair with her, and loved her all his life. As a Man I can understand that, you want to hug her. If a singer can do that after nearly 70 years, she had something unique.

The small dark Tourquoise box set is made of tough cardboard, with the lid opening sideways. Published by Music and Arts. On the cover in Pink is Lotte Lehmann, includes previously unreleased material. Behind in white lettering is the CD number, dates recorded, composers and pieces to be played. The Sleeve is made of paper with see through plastic.It is like an envelope, so you open it gingerly. No information printed on this CD sleeve . The DGG 6 CD Box set Furtwangler live recordings 1944-1953 have paper sleeves. I have owned that set for 20 years and had no trouble. The 4 CDs are pink with tourquoise writing on it. For example, Disc 1 December 1927- January 1938 recordings. Then the composer and music to be played. On the bonus CD-Rom is detailed Discographic information. notes. Photos and translations. 19 previously unissued recordings. All selections newly restored from original sources in 2013. The sound pushes the voice forward. Music and Arts have done a great job.

CD 1: 1927-1938 recordings. STRAUSS: Der Rosenkavalier: O, sei er gut, Quinquin... Die Zeit, die ist ein sonderbar Ding. 1927. Ariadne auf Naxos: Sie lebt hier ganz allein..Sie atmet leicht...Es gibt ein reich. (1928.)Bit of a hiss. BEETHOVEN: Egmont: Die Trommel geruhet! (1932.) Freudvoll und leidvoll (1932.) GOUNOD: Vierge d' Athenes (1936). WAGNER: Lohengrin: Du Armste kannst wohl nie ermessen.(1937). A. RUBINSTEIN: The spring. English. 20 songs by Wolf, including Kennst du das land.(Live) Here Lehmann is better than Schwarzkopf. More warmer and passionate. The latter singer is too precise. Lehmann you feel is singing to you, with Schwarzkopf with her unique timbre, you feel is singing into the microphone. (All recorded 18.1. 1938). Her singing of Anakreons Grab (18.1.38), is upon being beautiful , for words cannot do justice to it. It simply is. She shows you who she really is. Beneath her exterior act, is a sensitive being.

CD 2:R.STRAUSS: Standchen 18.1.1938. BRAHMS: Therese. Vergebliches Standchen. BLECH: Heimkehr vom Feste. R. STRAUSS: Zueignung.( 18.1.1938) PUCCINI: Tosca. Vissi d'arte. (3.4.1938.) R. STRAUSS. Zueignung. Traum durch die Dammerung. Standchen. with Orchestra. Strauss as it should be sung. after all Lehmann knew Richard and his wife Pauline. BRAHMS: Das Madchen spricht. PFITZNER: Gretel. (All 3.4.1938). TCHAIKOVSKY: None but the lonely heart. (18.9.39) ROGERS: The star. (18.9.39). SCHUBERT: Die Junge Nonne. Der Doppelganger She sings fiercely in the tortured climaxes..(4.3.41) Libesbotschaft (19.3.41.)SCHUMANN: Aufrage (26.6.41). Suited her spendidly.. MENDELSSOHN: Morgengruss (26.6.41). Venetianisches Gondollied (30.6.41) Neue Liebe. SCHUMANN: Der Nussbaum. BEETHOVEN: Wonne der Wehmut. Andenken. BRAHMS: Wiegenlied. Standchen.(all 30.6.41) Mendelssohn: Auf Flugeln des Gesanges.(2.7.41). MOZART: Sehnsucht nach dem Fruhlinge(9.7.41). Warnung.

CD 3: Wagner: Der Engel. Im Trebihaus.(9.7.41) Schmerzen (2.7.41). Traume (9.7.41). SCHUMANN: Dichterliebe: Wenn ich in deine Augen seh. and Ich will meine Seele tauchen (24.1.43). Und wussten's die Blumen, die kleinen. Das ist ein floten and geigen . Die alten bosen Lieder. (24.1.43.) All previously unreleased. SCHUBERT: An eine quelle (10.2.46). Der tod und das Madchen. (10.2.46). Thereafter popular Schubert songs recorded 10.2.46. Finishes with Mendelsohn 7 songs recorded 7. 3.48.

CD 4: BEETHOVEN An die ferne Geliebte. (7.3.48). Then Mozart, Brahms, Schubert. etc.1949 when she was 61. Bruno Walter speaks about Lotte Lehmann. She speaks about her singing.

Her Wolf is beautifully warm and heartfelt. Because of her singing of these songs, I have changed my mind about this composer, for all I had heard was Schwarzkopf. For me it takes a great singer to be able to do that. These Wolf songs sum up her art and alone is worth the price of this set. Gramophone year book 2002 states "Lotte Lehmann was at the height of her powers in the late 1930's: the bloom of youth is still in the tone, now enhanced by the experience of many years of stage interpretation. Yet while the passions are felt on a large scale throughout these songs, the intimate mould of Lieder singing is never breached. The readings are generous and free, never dull, careful or limited" From 1946 to 1949 there is a bit of a decline. However, for her opera singing and Lieder up to and including 1943, this set is worth while owning.

REFERENCES: Christiansen,R. Prima Donna. A history .1995. Pimlico. Gramophone Classical Guide 2002. Haymarket magazines. Guinn,J. Stone,L.(Eds) The St James opera Encyclopedia. 1997. Visible Ink. Hamilton, D.(Ed) The Metropolitan Opera Encyclopedia.1987.Thames and Hudson. Steane, J.B. The grand tradition. 70 years of singing on record 1900-1970. 1974. Duckworth.
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