I Waited For You (Live) [Rudy Van Gelder Edition] [2001 - Remaster]
7
Just One Of Those Things (Live) [Rudy Van Gelder Edition] [2001 - Remaster]
8
Hank's Symphony (Live) [Rudy Van Gelder Edition] [2001 - Remaster]
9
Gone With The Wind (Live) [Rudy Van Gelder Edition] [2001 - Remaster]
Descrizione prodotto
Brani
1.Art Blakey Announcement 2.Sportin' Crowd (Live) (Rudy Van Gelder 24-Bit Mastering) 3.Like Someone In Love (Live) (Rudy Van Gelder 24-Bit Mastering) 4.Yesterdays (Live) (Rudy Van Gelder 24-Bit Mastering) 5.Avila & Tequila (Live) (Rudy Van Gelder 24-Bit Mastering) 6.I Waited For You (Live) (Rudy Van Gelder 24-Bit Mastering) 7.Just One Of Those Things (Rudy Van Gelder 24-Bit Mastering) 8.Hank's Symphony (Live) (Rudy Van Gelder 24-Bit Mastering) 9.Gone With The Wind (Live) (Rudy Van Gelder 24-Bit Mastering)
Dettagli prodotto
Fuori produzione
:
No
Dimensioni prodotto
:
17,3 x 14,71 x 0,99 cm; 102,06 grammi
Produttore
:
Universal Music
Numero modello articolo
:
2126928
Data di prima pubblicazione
:
2001
Etichetta
:
Universal Music
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I Jazz Messenger al vertice e, in più, sono presenti alcuni inediti della stessa performance che, insieme ad altri presenti nell'edizione in cd del vol.1, all'epoca avrebbero dovuto uscire in vinile come vol.3 (mai pubblicato). Imperdibile, insieme al vol.1 e ai due volumi dal vivo al Birdland. Gianmarco
This is the second volume of the recordings the original Jazz Messengers lineup made at NYC's Cafe Bohemia on 11/23/1955. Although Art Blakey would lead many subsequent versions of the group following this lineup's breakup in 1956, most of which are very good, this first, cooperative lineup had a certain combination of power, swing, melodicism and bluesy feeling that was never quite captured again. Kenny Dorham (trumpet) and Hank Mobley (tenor sax) make a formidable front line, as well as providing two of its three main writers (the other being pianist Horace Silver, who would himself go on to a long illustrious solo career). The first three cuts along show their versatility within the then-emerging hard bop format, as they cook at a fast tempo on Mobley's "Sportin' Crowd", aka Sonny Rollins' "Tenor Madness"; hit a medium-paced groove on the standard "Like Someone In Love", and showcase Dorham's ballad style on "Yesterdays". There's also a taste of things to come for the Messengers on another Mobley composition, "Avila and Tequila", where the rest of the band (Dorham, Mobley, Silver and bassist Doug Watkins) play assorted percussion behind Blakey's drum solo. Blakey would adopt this for the early 60's lineup's arrangement of "A Night In Tunisia".
Beyond that, the best thing to do is just listen to the whole thing, preferably in tandem with the first volume At the Cafe Bohemia. This is in mono, and done in the early days of live recording in jazz clubs, so the sound balance can be slightly odd at times, but the crowd noise in the background gives you the "you are there" feeling vital to the success of a set like this. You can also tell that the musicians are feeding off the crowd, putting a little more intensity in their solos. A great document of one of the key jazz ensembles of the mid 1950s, in their element, just a few months before they would all go their separate ways. Fortunately they left behind this. Dig it.
Lieferung ging wie immer schnell und ohne Probleme; ich finde die CD super zusammengestllt und der Klang ist einwandfrei; Geniale Künstler gut verpackt
Enregistré le 23 nov. 1955 dans l'antre du jazz new-yorkais, les 5 musiciens présents sont " l'origine " du Quintet des Jazz Messengers, nom déposé quelques mois plus tôt en fév. 1955. La sonorité des Jazz Messengers est déjà là ; Horace Silver ( Piano ) en est le pivot central, le toucher est clair et précis ; Doug Watkins ( Contrebasse ), de la jeune génération de Detroit, est une "locomotive" bourrée de swing ; Hank Mobley ( Tenor sax. ), nouvelle "Star", est vite devenu incontournable ; Kenny Dorham ( Trompette ), dont la réputation n'est plus à faire, est considéré comme l'arrangeur ou le directeur musical. La section de cuivres est remarquable, mélodique, précise ... Le tout orchestré et "drivé" par l'immense et jovial Art Blakey, que du bonheur ! Des Quintets comme on n'en fait, hélàs, plus ; A posséder de toute urgence avec le vol. 1. Emilio L. ( Dordogne ).
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